![]() I probably won’t win any awards, but it’s cohesive and fully fleshed out. And although the girls sing quite often throughout the track, the melodies are surprisingly… unmelodic. None of these elements are all that fun or compelling, giving Poison Rose a dirge-like quality – especially during that awful second verse. We’ve got sing-songy, haunted house melodies, creepy piano, trap beats and vocal fry. A track like Poison Rose is difficult to expound upon because it’s essentially a copy of so many other songs. Look, if you write about K-pop songs every day you’re bound to notice more similarities than a casual listener might. It feels like a performance piece – something producers would cobble together quickly for the concept round of a competition series. Poison Rose has style to spare, but lacks substance. Unfortunately, this type of song doesn’t enjoy much longevity unless its musical bones are sturdy and memorable. It has the lurching, vaguely spooky energy many listeners crave in October. Originally scheduled for release on Halloween, Poison Rose makes more sense as a soundtrack to that holiday. Instead, they’ve churned out Poison Rose, which trades in horror-show musical tropes that have become more and more common among K-pop idol groups. I’m not sure where their agency is getting the funding for all this promotion, but I wish they’d pool the money together and give us another song as fun as 2020’s Aria. CRAXY released music video after music video in September, most of which I didn’t cover in detail.
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